When it comes to Bundelkhand, people often say its traditional songs hold such richness that each day introduces you to a new art form. Among Bundelkhand’s many folk traditions is Dhimaryai, a dance form whose sound of Ghungroo led us to Karrapur village. This small village, about 40 minutes from Sagar, feels like one big family. Here, we met a remarkable artist whose warmth and kindness were evident from the moment we arrived.
Leeladhar Raikwar is a 47-year-old artist who grew up surrounded by music, watching his father perform. His love for art was nurtured from a young age, as if music flowed in his veins. By the time he was 20, he was already accompanying his father, the late Shri Chunni Lal Raikwar, on stage for various performances.
While his father frequently performed at different events, it was one significant stage performance that left a lasting impression on Leeladhar. Witnessing his father’s command over the art form motivated him to pursue Dhimaryai more seriously. His father became a guiding force, shaping Leeladhar’s dedication and deepening his love for folk dance. Over the years, this love has transformed into a lifelong commitment to keeping this tradition alive.
Today, Leeladhar carries forward his father’s legacy, teaching the next generation and ensuring the tradition continues. Despite balancing daily labor work, he finds immense joy in keeping this cultural heritage alive. Each performance strengthens his connection to his roots, making him feel more grounded in his community and culture. Leeladhar believes that with every new Dhimaryai presentation, he deepens his bond with the land and its traditions. His dedication extends beyond performance; he sees himself as a custodian of a legacy that must be passed down, not just through music and dance but through stories and teachings.
Dhimaryai is a unique folk dance performed by the Dhimar community during festivals and celebrations. Traditionally, it was a form of entertainment after a long day’s work, which eventually evolved into a cherished tradition. This art form, though vibrant and lively, requires skill and precision. Each movement is deeply connected to the region’s history, making it more than just a performance—it is a reflection of Bundelkhand’s cultural spirit.
For Leeladhar Ji, every auspicious occasion begins with a prayer, so he started with a Devi Bhajan. His voice, filled with devotion, set a peaceful tone for what was to follow. The air seemed to hold still as his words resonated through the space, carrying with them a deep reverence for the divine. Next, he introduced us to a lively song called “Machhariyo Ka Vyaah,” a popular Gari Geet sung during weddings. The song’s infectious energy and joy were palpable, filling the air with a sense of celebration. The audience, which included local villagers and children, watched in quiet admiration. There was no rush or noise—just pure appreciation for the art unfolding before them.
Following this, Leeladhar Ji performed another song, “Phelaun Kahoon Dekhe Hain,” a Kerwa Geet that narrates a story of two people meeting and wondering if they had met before. Listening to it felt like stepping into someone else’s story, watching it unfold right before our eyes. The melodies, rhythms, and dancers’ movements were steeped in Bundelkhand’s rich traditions. With every beat and step, the spirit of Bundelkhand came alive. The performers, led by Leeladhar Ji, moved with such grace and energy that he resembled a peacock—vibrant, elegant, and full of life.
Through these songs, we got to know the Raikwar family and their deep connection to this tradition. Leeladhar Ji was joined by his brother, Amar Raikwar, who played the Dholak. Like his elder brother, Amar had developed a passion for music in his childhood and often performed alongside their father. His skillful drumming brought each performance to life, adding layers of rhythm and depth to the music. On the Manjira was Bhikam Raikwar, who started his musical journey at the age of 15. Over the years, he has performed on many big stages, captivating audiences with his talent. Each artist had a story, each instrument carried a history, and together they created something truly magical.
With a team of such talented artists, Leeladhar Ji dreams of taking Dhimaryai to an international platform. He is working tirelessly to turn this dream into reality. The knowledge he received from his father is something he now passes on to the next generation, ensuring that this tradition continues to thrive. His efforts are not just about performance; they are about preservation. He firmly believes that folk traditions must evolve while staying rooted in their original essence. By teaching young performers and engaging with the community, he is ensuring that Dhimaryai does not fade into obscurity.
As we wrapped up the day, Leeladhar Ji’s vision became clear: it’s not just about preserving a dance form but about keeping alive the soul of a community. His dedication to teaching the younger generation is his way of ensuring that Dhimaryai remains a living, breathing part of Bundelkhand’s culture. His students are not just learning steps and rhythms; they are inheriting stories, emotions, and a deep sense of belonging.
Meeting artists like Leeladhar Ji reaffirms the beauty and depth of folk traditions. Their passion is what keeps these age-old practices alive, inspiring all of us to reconnect with our roots. Through their art, they tell stories of their land, their people, and their dreams—stories that deserve to be heard far and wide. Each performance is not just a showcase of talent but a celebration of an entire way of life. And as long as artists like Leeladhar Ji continue to sing, dance, and teach, Bundelkhand’s traditions will remain alive, thriving in the hearts of those who cherish them.
