At 74, Lahu Dada Kadam stands as a quietly powerful figure in the world of Bhedik Lavani and Kalgi Tura, Maharashtra’s philosophical and musical tradition. Having absorbed the art by simply observing his grandfather sing, he represents the seventh generation of his family practicing this tradition. His understanding of Kalgi Tura—as a lyrical, musical conversation between divine entities like Shankar and Parvati or Brahma and Maya—offers audiences not just performance, but reflection. Over the years, he has written over 150 verses, many with strong social messages, especially around women’s rights and gender equality. Lahu Dada believes that even if the younger generation doesn’t grasp the deeper scriptures, music can still reach them—like an IV drip stabilizes the sick, a well-timed song can soothe the restless.

Supporting him is a team of seasoned performers who share his dedication and depth. Anuksh Kadam, 62, balances farming with music, bringing the sound of the Tuntuna and Zanzh to life in chorus-led performances that he sees as tools for community awareness. Bapu Ganpat Kamble, 73, contributes decades of experience with instruments like the Harmonium, Dhol, and Casio, carrying the spirit of Gondhal and Jagran into every show.

Raju Babu Bunge, 61, adds his grounded voice and the steady beats of Halgi and Taal, shaped by a life spent honoring village folk traditions. Sukhdev Dashrath Hirbhagat, a 63-year-old Shehnai and Tasha player, brings emotional depth to Gaulan and Devi Geet, infusing ceremonies and festivals with quiet devotion. Bapu Kashinath Jadhav, 65, offers a versatile skill set across Dholaki, Halgi, and Pakhawaj, with the heart of a performer shaped by Tamasha and Gondhal.

Together, this ensemble doesn’t just perform—they carry forward a living, breathing oral history with rhythm, purpose, and soul.