Hailing from the small village of Khadakwada, Bhagwan Nagurao Garje, a 68-year-old folk artist, has devoted his life to preserving the traditional art forms of Bhedik and Kalgi Tura, integral to Maharashtra’s cultural and spiritual heritage. Introduced to music by his father, a Bharud performer, Bhagwan Garje has been practicing Bhedik for over 30 years. Inspired by the verses of Nath Maharaj and trained under Guru Bajirao Deepaji Sonawane, his musical journey began with his first public performance in 1977, on the same day he received ‘Anugraha’ from his Guru—a memory he holds dear.  

A multi-talented musician, Garje plays instruments such as the Dhap, Khanjiri, Dholki, Tuntuna, and Harmonium, excelling in vocals and Dhap. As a B-grade Akashwani artist, he has performed in 12 Akashwani shows and has been recommended to Delhi Akashwani for his exceptional voice and artistry. Despite facing financial challenges that once required him to take up daily wage labor, Garje continues to use his art to create social awareness, collaborating with NGOs like Watershed Organization to promote water conservation through songs and poetry.  

His dream of establishing a residential institute to teach folk traditions has already taken root, as he actively mentors youth in nearby villages, encouraging them to embrace Bhedik and Kalgi Tura. His inclusive efforts have even inspired women in the villages to participate in his performances.  

Bhagwan Garje sees music as a divine gift and believes life is incomplete without engaging in it. His yearly collaborations with Kalgi Tura artists like Banshi Kamble of Pandharpur reflect his dedication to fostering creativity and preserving tradition. For Garje, each performance is a sacred act of teaching, spreading cultural awareness, and uplifting society through the timeless power of music.